Original portrait photograph by the American photographer of the great Finnish architect. Photographer's stamp to verso, in fine condition. 8 x 10 inches. From the private archive of American photographer David Gahr, one of the pre-eminent photographers of American folk, blues, jazz and rock musicians of the 1960s and beyond.
15341. Abbott, Berenice. (1898–1991). "The Path of a Steel Ball" - Original Photograph with the pictured Model Train
Original photograph showing "the path of a steel ball ejected vertically from a moving object," by the important and influential American photographer, together with the original model train used in the photograph, a copy of Berenice Abbott: Documenting Science, in which the photograph is reproduced, and a notarized letter describing the provenance of the model train which belonged to J. Eric Little, a young relative of the MIT physicist Dr. Elbert Little who assisted Abbott with the project. Gelatin silver print photograph signed at the lower right on the photographer's mount, stamped by the photographer on the verso mount. The photograph has been professionally restored, with surface losses inpainted and the gloss immediately around those areas adjusted to more closely resemble the gloss of the original. 19.25 x 9 inches, mount and frame 30 x 24 inches. Read More...
Original group of three original silver gelatin photographs from the important American photographer's series Multiple Exposures of a Swinging Ball (1958–1961). Some very light silvering; overall in very fine condition. Each 9.25 x 7.25 inches (24.3 x 19 cm), matted to 14 x 11 inches (35.5 x 28 cm). From the series published in Berenice Abbott: Documenting Science, printed by the photographer and given originally to MIT physicist Dr. Elbert Little who assisted with the project, subsequently obtained from his family. Read More...
Pair of striking black and white photographs by Wolfgang von Wangenheim, later reproduced in the book "Danse Africaine" by Germaine Acogny. Gelatin Silver Prints ca. 1980, one of a female figure with upturned palms oustretched, the other, a male figure with arms extended. 8.75 x 11.75 inches. Each print initialed lower right. Each with surface creasing to the upper left quarter and to a lesser degree, center left, else fine. Provenance: From the Estate of Marcuse "Cusie" Pfeifer (1936 - 2020), founding member and president of the Association of International Photography Art Dealers. Read More...
21559. [African Americana]. Portrait of an African American Male, 19th century
19th century miniature silhouette portrait of an African-American gentleman, watercolor, inscribed to the verso "Tomas Hollyday. "16 x 11cm. In fine condition, mounted in a velvet frame with brass detail.
Portrait of the German-born American artist and educator seated in an exhibit hall between works of his art. By the eminent American photographer David Gahr, then in Brooklyn; Gahr's copyright hand stamp to verso. 10 x 8 inches (25.3 x 20.1 cm). In fine condition. Albers's pioneering work, both in Europe and in the United States, formed the basis of modern art education programs of the twentieth century.
Original 10" x 11.4" vintage lithograph. Credit to Currier & Ives at lower left and titled in the margin, The Wonderful Albino Family / Rudolph Lucasie, Wife & Children, from Madagascar / They have Pure White, Silken Hair and Pink Eyes!! / Have Been Exhibited at Barnum's Museum, N.Y. for Three Years. A rather toned and worn example with tears and losses around the edges, a few extending just inside the central illustrated panel, but nevertheless quite striking. Read More...
13892. [Americana]. Collection of Early American Tintypes
A collection of 23 small tintype portrait photographs, dating from ca. 1860-1880 and housed in a blue cloth-covered box. The portraits depict adults and children, apparently of various social classes; most are individual portraits, with two photographs of pairs. Several are duplicates or close duplicates. 16 of the tintypes are mounted in identical small pink card frames. One larger tintype, a three-quarter-length portrait of a man, is unmounted. Also included is one small later photograph, clipped to size. Light wear and scratches, some foxing and creases to the mounts; overall in very good condition. Each tintype ca. 1 x 1.5 inches (2.5 x 3.5 cm); mounts 1.75 x 2.5 inches (4.2 x 6.6 cm); larger tintype 2.5 x 3.25 inches (6 x 8.5 cm). In a blue cloth-covered cosmetic box with snap closure, with the logo of cosmetic company Palmer and their product name Gardenglo stamped in gold inside the lid. Wear and partial tear to the flap closure; overall in good condition. 4.5 x 2.75 x 1.5 inches (11 x 7 x 4 cm). Read More...
Two anatomical engravings by J. G. Seiller, showing a standing male figure whose major muscles are made visible and labeled with their Latin name, each figure oriented in relation to a tree. The engravings numbered "Tab. VI" and "Tab VII" at the upper right. The first shows the figure turned to the left, with one arm raised, and with a framed image at the left showing details of internal organs; the second shows the figure from behind, with a framed image showing a hand and leaves. Toning and foxing, and wear around the edges; overall fine. 11 x 17.5 inches (28 x 44.5 cm). Read More...
Toned gelatin silver print from the Anderson & Low series, showing a beautifully composed image of a Danish National Gymnastic Team athlete. Signed, dated, titled and numbered from the edition of 25. Not examined out of frame but in apparently fine condition. Framed to 14.5 x 12 inches (36.8 x 30.5 cm.). Read More...
Oil on canvas, signed lower right: O. Heyden. Measuring 26.5 x 29.75 inches [67 x 76 cm]. Beautifully framed in black wood with gilt fillet, overall 34 x 37.5 x 2.5 inches [86.5 x 95 x 5.5 cm]. Read More...
Gouache on white wove paper, 1986. 304x230mm; 12x9 inches. Signed in black ink, lower right recto. This work is registered under number APA #1002.86.004 in the archive of the Studio Arman in New York. Ex-collection Monsieur Jean-Louis Martinoty, director of the Opéra in Paris from 1986-1989. Read More...
An attractive original miniature collage of a bird, ca. 1850, executed in ink and feathers. The bird, carefully composed of real bird feathers, is shown perched on a miniature hill with trees. On a small sheet, mounted on a larger leaf. Slight rubbing and cracks; overall fine. 3.5 x 2.75 inches (9 x 7 cm), mounted to 8 x 7.5 inches (20.5 x 19.2 cm).
Group of 5 finely executed original pencil and watercolor drawings of birds, ca. 1850. The drawings, two in pencil and three in pencil with watercolors added, depict parrots and a pelican. Some light toning, but overall in fine condition. Two drawings ca. 5.5 x 7.5 inches (13.5 x 19 cm), three ca. 7 x 10.5 inches (18 x 27 cm).
Autograph postcard from the American painter, illustrator and sculptor. August 15, 1978. On a postcard of the illuminated castle in Heidelberg, he has penned: "Dear Steve, Not my work but I thought you might dig the picture. Happy days - Richard Artschwager." 5.75 x 4 inches (14.8 x 10.5 cm).
New York: Simon & Schuster. 1959. First edition. 151pp, 11" 14 1/2". First edition, with acetate dust jacket. Fine condition, in stained and toned slipcase which bears a few splits in places. The photographer's first book. and certainly, one of the monuments of twentieth century collaborations between a photographer and author.
New York: Random House . 1993. First Edition, First Printing. Upright sumo. 287 pp. Signed and dated by the eminent American photographer on the front free endpaper, "Avedon, 9.27.93," from the collection of Adolph Green and Phyllis Newman. A visual autobiography that includes an assemblage of 284 photographs, this three-part book encompasses the faces, events and places that were critical in defining the life and career of Richard Avedon. In fine condition. Read More...
Set of three original silver gelatin photographs by the American photographer, who has captured the actress and playwright in high spirits on their wedding day in New York, January 1960. Each of the three images is signed "Avedon" to the lower right, and backed on card. Mild wear along edges with some toning and stray marks, overall in fine condition. Two 9 x 6.5 inches (22.9 x 16.6 cm.), one 10 x 6.5 inches (25.4 x 16.6 cm.). Read More...
New York: Random House. 1994. First Edition, First Printing. Large 4to. 183 pp. First edition. Signed and inscribed by the eminent American photographer on the illustrated frontispiece, "For Phyllis and Adolph / with love / Dick / 1994". The companion to Avedon's spectacular An Autobiography, this definitive account of the life and work of photographer Richard Avedon features over 500 photographs documenting 50 years of Avedon's work, and was published to coincide with a major retrospective at the Whitney Museum of American Art in New York City. Mild wear to dustjacket, overall in fine condition. Read More...
New York: Random House . 1999. First. Upright folio. 235 pp. Unsigned first edition, from the collection of Adolph Green and Phyllis Newman. This work offers Avedon's comprehensive portrait of the sixties, including an impressive assortment of photographs and interviews with figures that defined the decade. Mild tears and creasing to dustjacket, else fine. Read More...